A female corpse is washed up on the beach in Husum. Her fingertips were removed, and a piece of paper with a cell phone number was found in her throat, which belongs to the well-known political journalist Karl Kress.

Matthias and Nelly live in a village in the Bavarian Alpine foothills. The couple could not be more different. When Matthias discovers a bog body in the lake, everything changes.

After a missed call and a disturbing voicemail from his former colleague Hella Christensen, investigator Simon Kessler sets off for Nordholm. The commissioner is aware that something bad must have happened. When Hella's sailing boat is recovered at sea, traces of her blood and her cell phone are found on it, but there is no trace of the former commissioner herself. A SOKO, headed by the new police commissioner Lena Jansen, takes over the investigation. The investigative team not only has to solve Hella's disappearance, but also the death of 15-year-old Viviane, who was found in the woods by her friend Charlotte Broder and probably died of a drug overdose. Kessler realizes how little he knew about the life of his former colleague. After years, Hella's sister Rieke Lehwald suddenly appears with her husband Paul. Do the two have something to do with Hella's disappearance? Is it about an inheritance or a relationship act?

Jakob Fugger's scheming to become as rich as Croesus from copper and silver mining as banker of the mighty in Catholic Christianity requires seeing the papacy to organize a European crusader defense against the Ottoman Turkish threat. The church's self-absorbed puritanical Inquisition party would rather concentrate on fighting heresy and so on within, which includes burning at the stake converted Saracene Zobeida, the mother of monastery oblate Richard, the bastard son of Fugger's late brother, who swears revenge at inquisitor Heinrich Institoris -and remains his target- which he seeks to find as Jacob's confident.

After the tragic death from malaria of her beloved husband his rich widow Helga Vanroh travels restlessly around various Mediterranean countries. In the luxurious surroundings of a hotel in Monte Carlo Mrs. Vanroh keeps apart from society, until one evening she decides to visit the casino. There a young man attracts her curiosity and compassion. Sascha Lonay has again lost a fortune at the roulette-tables. In his desperation he ponders on taking his life, but Mrs. Vanroh is able to dissuade him by offering him a hotelroom, money to pay his debts - and her love. They spent the night together. The following day the couple travel to the mountains, where Sascha - overwhelmed by the beauty of life and her generosity - promises her to refrain from gambling and to take the next ship sailing from Marseille and look for an honest job. He begs her to accompany him to Marseille in the evening, but Mrs. Vanroh is too afraid of commitment. Alone again, she makes a final visit to the casino.

Mozart's famous Singspiel after Christoph Friedrich Bretzner's work "Belmonte und Konstanze", DIE ENTFÜHRUNG AUS DEM SERAIL comes to life in the sumptuous setting of Topkapi, the Ottoman sultans' own Istanbul seraglio (palace harem). Belmonte finds his fiancée Konstanze and her English maid Blondchen, who were captured and sold by pirates, in the Mediterranean seraglio of the Ottoman pasha Selim. Belmonte's servant Pedrillo gets him engaged as builder. After Selim tried to enforce himself upon Konstanze, Pedrillo and Blondchen, his own sweetheart, prepare their flight, managing to get Osmin, the pasha's overseer, drunk. Yet Osmin and Selim's guard still capture them, already in the garden; however the touching display of true love melts the pasha's heart, so he lets them go.

Legendary director Hans Neuenfels once again proves his great skill with this interpretation of Mozart’s “Entführung aus dem Serail” (Abduction from the Seraglio). This extraordinary production conducted by Lothar Zagrosek, and with Catherine Naglestad, Kate Ladner and Matthias Klink in the main roles, won the Bavarian Theatre Prize in 1999 and offers a refreshingly new view of one of the most frequently played operas worldwide. Special highlight: Neuenfels places an actor at every singer’s side who not only takes over his role for the spoken original scripts, but also interacts with his singing double and other characters of the piece. In recent decades, directors have sought to revitalise the somewhat naive plot of the “Entführung” with fresh interpretations. Hans Neuenfels, who produced his “first Mozart” here in Stuttgart, retains the story’s naivety and absurdity. He does this in a very stimulating and intelligent way.

The baby Jennifer dies in a fire in the nursery. The public prosecutor's office, the media and the residents of the small town all agree: the au pair Christina set the fire. The lawyer and single mother Tamara takes on the defense of the young woman and finds herself in mortal danger...

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